Robert Delaunay was born in Paris, the son of George Delaunay and countess Berthe Félicie de Rose. While he was a child, Delaunay's parents divorced, and he was raised by his mother's sister Marie and her husband Charles Damour, in La Ronchère near Bourges. When he failed his final exam and said he wanted to become a painter, his uncle in 1902 sent him to Ronsin's atelier for decorative arts in Belleville. Aged 19 he left Ronsin to focus entirely on painting and contributed six works to the Salon des Indépendants in 1904. He traveled to Brittany where he was influenced by the group of Pont-Aven and in 1906 contributed works he painted in Brittany to the 22nd Salon des Indépendants, where he met Henri Rousseau.
In 1908, after a term in the military working as a regimental librarian, he met Sonia Terk, who he later married, though at the time she was married to a German art dealer who she would soon divorce. In 1909, Delaunay began to paint a series of studies of the city of Paris and the Eiffel Tower. The following year, he married Terk, and the couple settled in a studio apartment in Paris, where their son Charles was born in January 1911. At the invitation of Wassily Kandinsky, Delaunay joined The Blue Rider (Der Blaue Reiter), a Munich-based group of abstract artists, in 1911, and his art took a turn for the abstract[citation needed].
In 1908, after a term in the military working as a regimental librarian, he met Sonia Terk, who he later married, though at the time she was married to a German art dealer who she would soon divorce. In 1909, Delaunay began to paint a series of studies of the city of Paris and the Eiffel Tower. The following year, he married Terk, and the couple settled in a studio apartment in Paris, where their son Charles was born in January 1911. At the invitation of Wassily Kandinsky, Delaunay joined The Blue Rider (Der Blaue Reiter), a Munich-based group of abstract artists, in 1911, and his art took a turn for the abstract[citation needed].
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